Quickie Review // THE SKELETON TWINS (2014)

(I wrote this ages ago, left it sitting as a draft, and then apparently forgot all about it until I rediscovered it the other day. So I figured, why not just hit “publish”?)

It’ll sound like a backhanded compliment for me to say this, but it’s not: All THE SKELETON TWINS did was fulfill my high expectations.

Nothing in the plot explicitly waves its arms and telegraphs itself, yet it weaves through and touches all the areas you expect the film to touch on. And the ending is the sort I’ve come to expect from any Duplass Brothers project (cf. my review of THE ONE I LOVE): a small, smoldering fire, quickly resolved because, hey, it has to end somewhere.

To me, the thrill of this film is in the acting. I cannot see anyone else in the roles of Maggie and Milo playing out scenes that can switch on a dime into something heavy, surreal, or crude. Bill Hader and Kristen Wiig are that talented, so much so that their excellent performances aren’t exactly a shock. Am I that jaded? Maybe. Still, this film still gets high marks all for a lot of reasons, not the least of which is having validated my dedication to not have “peaked in high school.”

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