#Weeknotes S00 E04

If you’re reading this then I’ve managed to write this for a fourth week in a row and nothing stopped me from clicking “Post.” Something always happens to me when I’m building up a habit and meet with some early success. I almost immediately start stressing about the habit is going to eventually implode. Not today, Satan! Welcome to season 0, episode 4!

It’s going to be a short one, though. If I do manage to pull off 52 of these in 2019, I anticipate that some of these will just be “proof of life” posts, and that’s okay. Again, this is only a test.

PROJECTS. Just… just don’t ask.

READING Still catching up on random LOCUS articles. Just downloaded the December issue, though. But at least the backlog–well, the LOCUS backlog–isn’t that long.

My NEW YORKER backlog, however, is a different story.

WATCHING. I’ll say this, now that I’ve had a chance to think about DOCTOR WHO Series 11: This was the 2005 Series 1 we should’ve had. I think some of the flaws, real or perceived, that some episodes had can easily be chalked up to being “series 1” flaws. I do think the decision to avoid revisiting the past took some things away; I get the “throwing out the baby with the bathwater” argument. But it was a good and much needed reset and I’m ticked that it’s not coming back until New Year’s, and that’s it for 2019.

I could go into lists of what I liked and didn’t like, but I think this tweet from a few weeks ago says it all…

IN THE WILD. Out with the old, in with the new…

Quickie Review // THE NEW YORKER PRESENTS (2016)

Call me pretentious or whatever else. I’m the target audience for this show and I’m proud of it. This may be the first and only time I feel good about binge-watching anything for hours at a time with no guilt whatsoever. I can’t remember when I’ve seen a literary property adapted for any visual medium in a way that retains that property’s essence so completely. The producers have basically bottled and sold THE NEW YORKER in a different package. It does seem — and I’m saying this a little tongue in cheek — like the perfect scam in a way. I mean, when you have a century of material to draw from, you can concentrate on production values and hiring well-known character actors.

It hurts me that at the time I’m posting this, I can’t find any indication of whether or not there will l ever be a season 2. Luckily, as a recent subscriber to the magazine, I’ll be okay for now.

Clips from My Favorite Segments:
A profile of exótico luchador Cassandro
A nurse’s in-home visits with teen moms in Texas
An adaptation of “Last Session” by John Kinney, starring John Turturro and Charles Grodin
Paul Giamatti as Balzac — ’nuff said.
Every single Making of a Cartoon bump.