What, Me Worry?

So, I found that one of my blog posts may have played a tiny part in a small kerfuffle.  It might’ve had to do with my statement that…

I need to read more fiction by men. There, I said it.

I know how it sounds, what with all the stuff going on at DC Comics these days, to say nothing about the general He-Man-Woman-Hater’s club vibe that some parts of genre-dom still have (even in writing circles).  Hell, anyone who doesn’t know me and sees The Playboy Book of Science Fiction and Fantasy in my goodreads “currently reading” list might well roll their eyes and write me off as a toolbag….

Now, I suppose it does beg the question, “Okay, Don, where does your fear of that reaction come from?”

It comes from the same portion of my monkey brain that makes me think twice about walking through a dark alley in Any City, USA without having first geared myself up like a Sayoc Kali practitioner.  Because unless I can know exactly what does or doesn’t lurk in that alley, my monkey brain only sees the dark and, therefore, can see exactly two choices: fight or flight.  Avoid the alley or walk in with my guard up.

Why?  Because, the world being what it is, maybe I walk through that alley and end up feeling a little stupid because my fears were unfounded, as there was no one in the alley to begin with.  Or, maybe I’ll find that I was glad that I was on-guard and ready to feed an attacker his own eyeballs

In my post, I talked about how I’m currently reading specific male writers for specific reasons. One minor point, though: It was not because I don’t have as many male writers as female ones on my bookshelves.  It’s because I’ve been wondering if I could be missing out not having as many significant male writing influences as female ones in my head.  (And I admit, it’s a theory that could be off-base.)

With the world being what it is, I was afraid (and I could’ve been off-base here, too) that to simply say, “Yeah, I’mo read stories exclusively by men, for a bit, because…” and to have left it there would, at best, make me look like I was willingly ignoring the gender elephant in the room.  Or, at worst, make me look really, really stupid.  And you know, maybe I still do, the world being what it is…?

Logical?  Well, about as logical as the fear of the dark alley, which is to say that maybe it is and maybe it isn’t.  Might depend on the alley, or on who may or may not be in it, the time of evening, whatever.  But there’s only ever one way to find out.  And thus, it felt right for me to do the rhetorical equivalent of nonchalantly placing my hand on the tactical folder I’ve secreted on my hip for a quick draw, just in case.  To me, it’s just acknowledging the possibility that maybe, just maybe, some shit could go down.

I’d thought the biggest issue with my post was having accidentally left Jeffrey Ford’s name off the Male-Writers-Who’ve-Influenced-Me list.  But just because the particular scenario I feared didn’t play out (yet), was my defensive “There I said it” posture unwarranted?  Should I have braved that alley as if it were broad daylight, confident that there was nothing in it that could possibly hurt me?

I dunno, you decide.

Incomplete Review

The Robert Sheckley Omnibus (Penguin Science Fiction)  The Robert Sheckley Omnibus by Robert Sheckley
My rating: 4 of 5 stars

I skipped the longer works in the Omnibus, the novel Immortality Inc and the story “A Ticket to Tranai,” and focused on the shorter pieces.  I’ll come back to them eventually.  Here are some brief thoughts on everything else…


“Specialist” works as a wonderful, if a tad simplistic, metaphor.  4*

I liked the worldbuilding (i.e. Sheckley’s commentary on his–and even MY–world) in “Bad Medicine” a bit better than I liked the overall plot.  4*

The prose style of “Pilgrimage to Earth” might show its age a bit, but the story’s concepts and the way Sheckley pulls them off are pure 21st century, IMO.  5*

5* for “Ask a Foolish Question” because Sheckley’s The Answerer predates–and outthinks–Deep Thought.

“The Battle” is an even better scifi/fantasy mashup than that Joan Aiken story I read the other week. 5*

“Hands Off” gets points for cleverness, but the old-school prose style just turned me off.  4*

“The Prize of Peril.”  Same prose issues as “Pilgrimage to Earth,” but it gets 5* for talking about the issues we talk about concerning reality TV today.  Except Sheckley did it, oh fifty-freaking-years ago!

“Hunting Problem” was a little too predictable, mostly because I’d already read “Hands Off.” 3*

Odd, that I remembered reading “Ghost V” in Sheckley’s The People Trap, yet I don’t recall the ending touching me quite as much as it did this time around.  5*

“Something for Nothing” is another 50+ year-old too-close-to-home prediction of 2011.  5*

There’s a tiny part of me that’s pissed off that I didn’t see the ending of “The Store of the Worlds” coming a mile away.  But then I re-read it.  Nope, almost no way I could’ve seen it.  I’ve been misdirected by plot before; never by theme.  5*

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“Who ever told you that you could work with men?”

I need to read more fiction by men.  There, I said it.

I know how it sounds, what with all the stuff going on at DC Comics these days, to say nothing about the general He-Man-Woman-Hater’s club vibe that some parts of genre-dom still have (even in writing circles).  Hell, anyone who doesn’t know me and sees The Playboy Book of Science Fiction and Fantasy in my goodreads “currently reading” list might well roll their eyes and write me off as a toolbag.  But I have a good reason.

Everyone who does know me as a writer, or has read this blog, knows of my love of M. Rickert, Aimee Bender, Carol Emshwiller, Karen Joy Fowler (her short work, at least), and Kelly Link.  I’ve recently acquired and devoured collections by Joan Aiken and Margaret St. Clair.  My favorite issue of Tin House thus far is 33: Fantastic Women.  The only novel I’ve really, truly enjoyed in the past few years was Sarah Shun-lien Bynum’s Madeline is Sleeping.  I wish I could write like Lydia Davis, Ann Beattie, and Amy Hempel.  I also wish I had Fran Lebowitz’s brain.  These writers have really sort of set the bar as far as what I look for in a story.

Sure, there are male writers who do that for me, too.  Etgar Keret, Ray Vukcevich, Howard Waldrop, Peter S. Beagle, Harlan Ellison, Raymond Carver, Barry Hannah, and… um… and… and…

See, therein lies the problem.

I might sound a bit disingenuous if you take a look at my goodreads “Favorite Authors” list.  You’ll find Jonathan Lethem, Benjamin Rosenbaum, and other dudes and they certainly belong there.  But in terms of having the influence that the aforementioned female writers have (or wish they would have), it’s just not there.

And, it’s not like I don’t have the books, either.   Which is why I’m taking steps to rectify the situation.  They say, “Plan the work.  Work the plan.”  And, that’s what I’m doing by moving 8 particular books to the top of my reading queue…

For the curious, The Playboy Book of Science Fiction and Fantasy is lower on the queue.  But it’s worth mentioning that I got the book because it has a bunch of writers with whose work I need to be better acquainted (Robert Sheckley, William Tenn, Charles Beaumont, et al.).

The Green Flash

The Green Flash and Other Tales of Horror, Suspense, and FantasyThe Green Flash and Other Tales of Horror, Suspense, and Fantasy by Joan Aiken
My rating: 4 of 5 stars

I couldn’t believe my luck when I found this collection at a local used book store! It didn’t finish quite as strongly as it started, but there are pieces that were clinics on short-story writing. Here’s how I thought of each story…


“Mrs. Considine.” I don’t describe too many stories as “chilling,” but this story of a girl with a gift bonding with an older woman with another gift is just that. 5*

“Marmalade Wine.” The reason I snatched this collection from a used book store was this story, which was adapted as a segment for Rod Serling’s Night Gallery. A decent straightfoward story about comeuppance. 4*

“Sonata for Harp and Bicycle.” The expository middle didn’t stop this from being a story of the most romantic exorcism I’ve ever read. 5*

“Follow My Fancy.” This is not a “science-fantasy” story. It’s both a scifi story and a fantasy story, rolled into one. 5*

“Smell.” Saw the ending coming a mile away. Hate when that happens. 3*

“Searching for Summer.” If you let yourself get too caught up thinking “What REALLY happened here?” you’ll miss the beauty of this story. 4*

“A View of the Heath.” 5* ‘cos who said a mystery story has to have anything to do with a dead body?

“Belle of the Ball.” If I’ve ever read a story that was very proto-Aimee Bender and the like (Sarah shun-lien Bynum, etc), this is it. 4*

“Summer by the Sea.” This calls to my mind Karen Joy Fowler’s Nebula Award-winning “What I Didn’t See.” You could argue that any sf/f/h genre element is non-existent, depending on how you read it. I will say that reading it one way makes this a better story. 5*

“Minette.” Not quite as chilling as “Mrs. Considine,” but it is another wonderful example of what happens when two supernatural forces meet. 5*

“Dead Language Master.” Very engaging at the sentence level. But to the other mechanics of the piece, my reaction was, “Just…no.” 3*

“The Windshield Weepers.” Some aspects of this story really seemed ahead of its time. The ending really didn’t do it forme though. 3*

“The Green Flash.” It pulled me along quite nicely at sentence level. Unfortunately it became obvious that this was 2 or 3 stories thrown together as soon as I gave the plot a second’s thought. 3*

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Confession (or, Sorry, M.)

I picked up the latest issue of The Magazine of Fantasy & Science Fiction because it had M. Rickert’s new story “The Corpse Painter’s Masterpiece.”  I’ll buy anything with M. Rickert’s name on it.  I wish F&SF had a “Just the Issues with M. Rickert in It” subscription option.  I have every issue with her stories since 2006 (except for one I’ve misplaced somehow).  I have both her collections, Map of Dreams and Holiday, and copies of her stories in Ideomancer and Interfictions 2.  I’ve spoken about my love of her writing here, and other places.  Yes, on my list of Favorite Writers, she is #1.  The very top.

I say all this so that you can have of sense of just how much it really and truly pains me to say: I wasn’t that into “The Corpse Painter’s Masterpiece.”

Most of you know the standard I have for my short-story reading experience: That Aimee Bender quote I use all the time, “I want to be violated by insight.”  The thing is, unless I’m seriously romanticizing my relationship with Rickert’s writing, I can’t think of a single one of her stories that didn’t give me that feeling… before this one.

Make no mistake: in my usual 5* rating system, this one would get a 4, but only because I typically round off.  If I had to be accurate (as much as one can be with a subjective rating), I’d give this a 3.8.  It had every bit of the dark beauty I’ve come to love in Rickert’s stories.  The imagery at the end blew me away.  But I think my damage has to do with Rickert’s use of the third-person omniscient viewpoint. 

I’m grateful that she tries to shy away from old-school “one POV, section break, next POV” and attempt something a little different.  At the sentence level, Rickert really does a skillful job weaving in and out of each character’s thoughts.  But as a whole, it muddied the waters in two different ways for me.  It messed with my sense of time, for one.  And for another, I never knew for which characters to really concern myself by the end of it.

Not counting the corpses (C’mon, that’s not a spoiler.  Look at the title.  You knew there were going to be corpses in it.), the story had a cast of three: The Corpse Painter, the town sheriff, and the sheriff’s wife, and I was in one of their heads at various points of the story.  And while most of the story seemed to be about the relationship between the sheriff and the Corpse Painter, the real punch of the story came in the last scene between the sheriff and his wife.  The more I think about it, I’m wondering if Rickert putting me into the wife’s head was her way of attempting to connect a reader with the wife as an expedient way to set up the payoff at the end, while still maintaining most of the story’s focus on The Corpse Painter and the sheriff?

Who knows?  I’m clearly rambling at this point.  I’m just having trouble pinning down my exact feelings about this story.  To say “disappointed” or “let down” seems far too harsh.  Maybe this is a case where I just need to appreciate the attempt to do something different and be okay with the fact that maybe the clearest way to sum up my feelings is, “I just didn’t dig it.”  After all, Rickert is still my #1 favorite writer, I’ll still buy anything with her name on it, and if there was an “M. Rickert Only” F&SF subscription option, I’d snatch it up in a heartbeat.

Mabuhay ng Pilipinas, Motherf–kers!

Just three of the reasons I’m proud to be Filipino:

1
Toadies of Filipino martial arts practitioners talk the best smack…

2
We take Good Friday really fucking seriously

3
We… uhh… apparently also take cosplay really fucking seriously
(The video’s in Tagalog, but you’ll get the gist.)

Reminds me of what Dad always used to say: “Aba!”

“Something tells me I’m into something good…”

I’m not complaining, but I’m just stating the fact that 2011 hasn’t been a very productive year.  Oh, I’ve produced things.  I pulled off my first academic presentation and am still awaiting word of what could be a huge publication score.  I have things coming down the pike in the next couple of months.  But you know, I think part of my damage is that for a couple of years now, I’ve been writing “made-to-order” stuff.  I think I need to write something for me.  But what?

I don’t know a lot about the Brill Building.  I have a sense about its place in musical history.  I have a vague notion of what they talk about when they talk about the “Brill Building Sound” (and of the controversy behind that term).  I kinda know some of the big names involved.

But here’s the thing: I know is that it’s the place where I want to set my next short story. 

I first learned about the Brill Building as I was looking up a bit of background on songwriter Laura Nyro.  I always knew I was going to write something inspired by her or her music from the first time I really started really listening to it. But this idea of the Brill Building really grabbed me.  Something about this music factory, this place that was (arguably) just as much about commerce as it was about art, where people competed to get their songs heard by an executive, published, and made into a hit record is resonating with me somehow.

Apparently, it’s the subject of a documentary due out soon.  Tell me this doesn’t sound more or less like the racket we writers are involved in, huh?

Anyway, I have no idea what this story is going to be about, or how much of it will actually involve the Brill Building, Laura Nyro, or her music.  I do know that this is the story’s playlist so far (all by Nyro):

  • “The Confession”
  • “Billy’s Blues”
  • “Stoney End”
  • “And When I Die”
  • “He’s a Runner”
  • “Wedding Bell Blues”
  • “Lu”
  • “Eli’s Coming”
  • “Timer”
  • “Stoned Soul Picnic”

Rod Serling Conference 2011

Sorry for the unimaginative title, but it was taking me too long to come up with something other than “Submitted For Your Approval.”  Tell me that’s not the first thing that comes to mind when you hear the name Rod Serling.  But aside from being lame, my presentation at the 2011 Rod Serling Conference last month** wasn’t about The Twilight Zone, but about Rod Serling’s Night Gallery.  Specifically, H.P. Lovecraft Adapted for Rod Serling’s Night Gallery.

I pulled the presentation off, despite massive tech fail (thanks to help from the conference’s tech crew), but here’s the play by play of the shindig…

1
I feel I could’ve done better.  More rehearsal, certainly, but maybe not having fully recovered from a 4-day party + a 13 hour trip that should’ve taken 4 hours might’ve had something to do with my performance.

2
So I’m going to do a quick run-through of my plans and back-up plans, which totally and utterly failed:

Plan A – Run the OpenOffice Presentation on Ubuntu from my netbook.  First of all, I don’t know what possessed me to deviate from my original plan of using my laptop.  I plugged the netbook into the room’s AV system, and it utterly failed, probably because of the video drivers.  The tech crew figured that Ubuntu just wouldn’t have the necessary drivers.

Plan B – Run the OpenOffice Presentation on WinXP from my netbook.  Yeah, I thought I was covered.  Wrong.  The tech crew figured it was the netbook’s processor which just wasn’t powerful enough.

Plan C – Borrow a computer on which to run my OpenOffice presentation.  Previous experiences with the Conference showed me that they did possess computers with OpenOffice on them, as well as the VLC video player.  And the conference tech crew indeed had a computer at the ready and they could’ve sworn OpenOffice was loaded onto it.  It wasn’t.

Plan D – I wasn’t entirely flustered at this point, because I had my portableapps USB drive with dated versions of OpenOffice and VLC on it.  But I guess their WinXP computer wasn’t that fast.  Now, I’m flustered because at this point, I’m out of backup plans.

Luckily, I was able to work Plan E which was to use the tech manager’s Mac, install OpenOffice onto it, and run my presentation and videos from there.  Not ideal since the iPod Touch is the only Mac product I knew my way around.  But, it worked.

3

The keynote speaker, producer and screenwriter Bill D’Elia (Boston Legal, Ally McBeal, Judging Amy, &c.) didn’t give as flamboyant a speech as George Clayton Johnson’s from the last conference.  But it was no less fascinating.  He was a student of Serling’s at Ithaca College (that’s him in the picture on the screen in the striped jacket standing behind Serling).

4
It turned out that my presentation wasn’t the only one I’d give at the conference.  I won a lottery where the winner got to present his or her favorite Twilight Zone episode at the mini-marathon that’s held at the end of every Serling Conference.  I was as excited to talk about “Will the Real Martian Please Stand Up?” as I was about my formal presentation.  Heck, just watching the episode from the remastered Blu-Ray on an $80,000 projection system would’ve been worth its weight in gold.

I whipped out this speech in an hour, though I deviated from it quite a bit…

I could be constructing this memory, but this could be the very first Twilight Zone episode I’d ever seen.  I was 10 or 12 years old, which was actually a few years after I’d heard of The Twilight Zone.  It’d been out of syndication for a few years, at least where I grew up in Cleveland, Ohio.  And this was before you could get a videotape of it at Blockbuster, nevermind downloading from Hulu or Netflix.

This story had a huge impact on me as a writer, even though it’s not exactly the best Twilight Zone story.  It’s not “The Obsolete Man,” or “Death’s Head Revisited,” or “Time Enough at Last,” or “To Serve Man,” or “The Shelter,” or “Walking Distance,” or any of the other episodes considered the “greatest” and the topics for discussion at this conference.  It even makes the classic mistake of having an alien, who is able to pass himself off as human, but who still asks, “What’s… wet?”

But at age 12, it was magical.

Here’s the thing.  You know how Serling says “You’re entering another dimension?”  Well, I didn’t just enter it.  When I first saw this episode, Serling TOOK me on a 22-minute ride of suspicion, and suspense, and finally of being freaked out when the real Martian finally stood up.  And then to throw in another twist behind that one!

I didn’t know a writer could do that.  And that’s the sort of experience I’ve always looked for ever since, whether I’m reading a book or watching a good film or TV show.  More importantly, I want to be a writer who gives that experience to other people when I grow up.

So… Will the Real Martian Please Stand Up?

5
I know I should probably put my presentation slides up.  I still haven’t finished composing the formal paper for the conference proceedings.  I should get on that (assuming it isn’t already too late).

6
And lastly, a few pics of some cool stuff, including local writer Nick Sagan (yes, Carl‘s boy) presenting the Conference’s screenwriting awards, and Serling’s 1961 Hugo Award which was on display.

**Yeah, I’ve given up on the notion of posting these in a timely manner, just as I’m sure most of you have given up expecting to see them in a timely manner.

Dragon*Con 2011

No, hell hasn’t frozen over. I’m still missing self-imposed blogging deadlines.  I’d intended to kill two birds with one stone and doing something for Speak Out With Your Geek Out.  And, what could possibly be more geeky than going to the 25th Dragon*Con?  So, rather than consider myself two weeks overdue, I can imagine I’m only two days. 😉

Anyway… William Shatner, Martin Landau, Sylvester McCoy, Mark Sheppard, celebrity run-ins, awesome costumes, and Jefferson Starship–yes, I had an absolute total fucking blast!!

1
Shout-outs to my roomies: Conni, Ben, and Dana, without whom there would’ve been any way on God’s green earth that I would’ve gotten there, to say nothing of being able to navigate through the con!

2
Shout-outs tot: Regan and Harley!  Harley, I’ve met before, but we didn’t get a picture last time, so she had plausible deniability.  Not this time!

Thanks especially to Regan, who drove us around like the Jason Statham in The Transporter for some Southern eats!  I can’t wait ’til I get to visit Mary Mac’s Tea Room again.  And the Breakfast BLT from the Highland Bakery… I still dream about it!  Let’s just say that it’s the culinary opposite of my (still beloved) Ithaca Bakery.

4
All right, the con itself.  I didn’t take a tenth of the pictures I could have taken.

The highlights include…

  • Pics and video Captain Kirk, Commander Koenig, and The Doctor (just gotta figure out the best way/place to post the vids)
  • My missed opportunity to get a DVD copy of Bloodsucking Freaks (linky is NSFW) signed by Lloyd Kaufman.
  • My favorite costumes: Ulquiorra, Black Canary, Orko, and The Ambiguously Gay Duo!
  • Some random asshat in a black pirate shirt :s

5
Also in that picture set are a couple of shots from the lit-track panel “New and Next Weird” with Lou Anders, Jeff VanderMeer, Stephen H. Segal, Ann VanderMeer, & Jean Marie Ward.  Jeff himself explained a lingering question I had about the link between Weird fiction and New Weird that I’d had ever since I read his and Ann’s The New Weird anthology.

6
So, all that was good, but the highlight of my Dragon*Con was seeing Jefferson-fucking-Starship, not once, but twice!!

They didn’t start until midnight both nights, but it was worth the line (I managed to get myself to be one of the first 20-25 people lined up ahead of time), the lack of sleep, and the temporary deafness to hear what the program described as, “Blade Runner Against the Empire, a science fiction/electronica/rock opera “mosh” of Hugo-nominated album Blows Against the Empire and the Vangelis score for the film Blade Runner” on the first night, and hits on the second night.  Just seeing singer Darby Gould in a classic Trek uniform was worth the price of admission.  Oh, and schooling an appreciative Goth girl on the individual members of the current Jefferson Starship and stories about why we would not seeing Grace Slick, hearing “We Built This City,” nor seeing Mickey Thomas (yeah, not with Donny Baldwin back in the band, we weren’t) was cool, too.

And on top of all that, I got nice and close to the stage, as you can see by the relatively decent pics taken from the crappy iPod Touch 4G camera.

I’m glad someone got a decent video of “Jane,” ‘cos I was too busy rocking out…

7
And, speaking of videos I was in where you’ll just have to take my word that I was actually there, I got to be in the audience as Episode 92 of NSFW was being recorded!  I hadn’t laughed so hard in such a long time!

8
Other things I learned/saw/remember…

  • Gareth David-Lloyd has a delightfully filthy mouth.
  • It’s possible to see the same celebrities (Sylvester McCoy, Mark Sheppard, Howard Hesseman) multiple times across all 5 con hotels (not counting panels) more often than you see your own roommates.  The same people in the same costumes, too.
  • It’s absolutely true what they say about becoming buddies with the people you stand in lines with at Dragon*Con.
  • I’m 90% sure I shared an elevator with someone from high school, but I was too stunned to say anything.
  • And I will never, ever complain about any line I stand in ever again.

I absolutely know I’m forgetting things, but the fact that I remembered this much two weeks later should show how fucking great of a time I had!