Quickie Review: MAGGIE (2015)

I really wanted MAGGIE to be Arnold’s JCVD, that is, an art house flick that plays with everything we think we know about a foreign-born actor and the American Acton heroes he played in the ’80s. It did not let me down! MAGGIE deconstructs the expectations built up over 30 years of Governator- and zombie-film over-saturation, and subverts them at literally every turn.

If you’ve seen enough Schwarzenegger and zombie films, you’ve seen every scene setup in MAGGIE before. Thus, you’re not surprised to see tense moments with John Matrix poised to kick ass, or creepy moments where you just know Abigail Breslin (who’s been in similar surroundings before) is about to take a bite out of someone. But few things play out as expected here, and MAGGIE prepares you for this by setting up the characters properly. So yes, you have scenes of Dutch Schaefer brandishing a shotgun, because Ah-nold! But when you write his character as a man clinging desperately to what is best in life, whose former wife instilled in him a love of reading(!) and planting daisies(!!), and then have Trench Mauser play that character convincingly, then you have a Schwartzenegger zombie film where anything can happen.

Quickie Review: AVENGERS: AGE OF ULTRON

Spoilers ahead, minor and major — YOU HAVE BEEN WARNED!

Suffice it to say, the movie appealed to my inner six year old.  This is a good thing.  It’s also a bad thing.

That aside, I still have to say that AofU didn’t thrill me like the first Avengers film.  It didn’t bore me, though.  There were certainly enough comic book “Fuck yeah!” moments.  But I suspect part of that was my brain trying to keep up with the plot, and not stumble over the holes where things were obviously cut out.  In fact, yes, I felt like I was watching an edited version on FX, “compressed for time”.   On the plus side, though, there was the particular way this film hit my comic book geek spots.

Because if you’re really going to hit all the highlights of Marvel Comics history on film, then fuck it — go for broke, from the creation of the synthozoid Vision, down to creating an “All New, All Different” B-team at the end of it all, just like in the comics.

This past Free Comic Book Day, I found this: a fresh copy of MARVEL SUPER-HEROES Vol. 1, No. 80, one of the first comic books I ever remember reading as a child.  The cover date is 1979, so I was 5 or 6 years old.  (The issue itself is a reprint of THE INCREDIBLE HULK Vol. 1, No. 128 from 1970.)

The Avengers roster started changing in the comics after the second issue.  Characters like General “Thunderbolt” Ross were already missing the classic line-up…

Okay, even as a kid maybe I knew this team seemed a little wanting, just like the team introduced at the end of AofU seems to be.  But six year old me still thought this image was bad ass!  (Don’t worry, Wanda gets her licks in by the end of the issue.)

Just like people have “My Doctor” (i.e. the one they imprinted on as a kid), I have my Avengers.  And my Avengers will always have Goliath, The Vision, The Beast, Yellowjacket, and Wonder Man in the turtleneck and the red pimp safari jacket, because they were the ones in the comics I read after this one.
For me, that’s the joy of AofU.  I enjoyed this retelling of Avengers history!  Very well done, “A” for effort!  I want to see what Captain America, Black Widow, War Machine, Falcon, Scarlet Witch, and The Vision do in the next go-round!
And yet, although I judiciously avoided all spoilers, I knew I’d seen this — well, read this — all before.  Which begs the question of who exactly AVENGERS: AGE OF ULTRON was written for — six year old boy comic book geek me, or for over-forty dude comic book geek me?  I’m fairly sure much of the praise or scorn heaped upon this movie is based on the answer to that question.
Six year old me might’ve interpreted that scene between Black Widow and Bruce Banner a little more generously than most (if you’ve seen it, you know what I’m talking about) and might’ve thought Widow’s MCU history reveal probably means something different to the character than it does to people watching the film.  Part of over-forty me believes that.  But the rest of over-forty me knows a reveal like that doesn’t exist in a vacuum, and it’s a shame, too.  A revelation that might’ve offered some additional depth (“My soul is as dark as Banner’s, but I have the same heroic potential.”) is doomed from almost the very start of the movie and it’s “lullaby” scene, and frames things in a way that makes the snarky “cleaning up after you boys” quip a mere one step above that one line in the last movie.  

Quickie Review: NOTHIN’ BUT BLUE SKIES

Nothin' But Blue Skies: The Heyday, Hard Times, and Hopes of America's Industrial HeartlandNothin’ But Blue Skies: The Heyday, Hard Times, and Hopes of America’s Industrial Heartland by Edward McClelland
My rating: 5 of 5 stars

Lest anyone think I read this just to latch on to the hipsterish aspects of the “Rust Belt Chic” trend, know that I was born in Cleveland a mere four years after the Cuyahoga River burned, and I grew up through most of the events in the “Burn On, Big River” chapter of the book. Take McClelland’s writing on Dennis Kucinich’s various rises and falls, for instance. No matter how much prominence he gained after reinventing himself as a national politician, and regardless of how many of his views I might share, I’ll always know him as “Dennis the Menace” because in the late 70s/early 80s, even a six year old like me could read a political cartoon in THE PLAIN DEALER and glean from how the grown-ups talked that that’s what everyone thought of him. We were reading USA TODAY in grade school when the whole the Rock and Roll Hall of Fame thing came up. And I had one of my first underage drinks just as the Flats was transitioning from a hotspot to a hive of scum and villainy. (I’d left before it finally turned into a “Scooby Doo ghost town“.)

All that to say that if McClelland, a native of Lansing, MI, did enough of his homework to get those sorts of Cleveland details right then it seemed likely to me that his notes about life in post auto industry Youngstown, Detroit, Flint, Lansing, etc. also has a genuine ring of truth. In fact, reading about the stories of these other places and some of the people in them felt like a rediscovery of sorts. I can imagine this is what it feels like for someone who has some weird personality quirk that never made sense to anyone until some previously hidden fact of biological or social history was discovered and gave you the context. I’d never heard the terms “bathtub Madonna” or “Mary on the half shell” before reading this book, and never knew how prevelant they were in other places similar to Cleveland, and yet I’d grown up seeing these little homemade grotto shrines to the Virgin Mary in every neighborhood I ever rode through inside Cleveland.

The book succeeds in giving me what feels like a thorough background about subjects I already knew, or at least in filling in the gaps about things I witnessed from a short distance. I was familiar with the socioeconomic patterns and movements of White Flight and gentrification, but this book clarifies the mechanics of it, particularly with respect to the decrepit housing and infrastructure it left behind (neither of which was really all that great to begin with). McClelland also lists a few examples of what happens when movements born of social justice to serve people crash and burn when they start becoming unsustainable, which many times has to do with internal personalities and politics, as much as whatever the latest company outsourcing or international trade plan is.

I was startled to learn exactly how much politicians in other regions of the country are looking over the carcass of the Rust Belt and still see a couple of things worth stripping even now, like Great Lakes water. A part of me cheered when I read about the political pushback these efforts get; Michigan representatives basically saying, “You wanted to go live in that sand box [i.e places like Georgia, Nevada, Arizona, etc. which have lured people and jobs from Michigan]. Don’t come crying to us when you can’t find anything to drink.”

The one nit I have is that McClelland does a little too good of a job integrating various regional idioms of, to put it mildly, an insensitive stripe. It’s one thing to quote, or report a quote from, various sources and stories, like one in which a Daley political operative tells Chicago Latino voters, “We want you guys to be our minority, because we’re already sick of that other minority [emphasis mine].” But it’s another to uncritically mix them into your own narrative. The author writes, “[Latinos in South Chicago] had their own church — Our Lady of Guadalupe — and they were tolerated by Stosh and Chester [i.e. code for “men of eastern European descent”] at the ironworkers’ tavern, who figured it was them or the colored [i.e. the other minority].” And while I’m fairly certain McClelland himself doesn’t espouse these beliefs, that contention might be a tougher sell for people to whom I might recommend this book. I theorize (but could be wrong) that I’ll have to deal with this in the next book in my Rust Belt reading queue, Ben Hamper’s Rivethead: Tales from the Assembly Line.

But then, personally, I’m a little (too?) used to it. After all, I grew up around that; hell I’m a Filipino-American who grew up in it. And if nothing else, this book goes a long way to telling me why.

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Currently Reading, Backyard Fracking, and Filipino Rondalla

CURRENTLY READING: All of my reading lately has been on the non-fiction tip. The last fiction I’ve read was a slog of a collection that I haven’t finished yet. (It has some incredible craftsmanship, but damn if most of the stories just don’t do it for me.) Anyway, what HAVE I been reading? I’ve made it into the Dark Horse years of AMERICAN SPLENDOR. I’m about halfway through NOTHIN’ BUT BLUE SKIES: THE HEYDAY, HARD TIMES, AND HOPES OF AMERICA’S INDUSTRIAL HEARTLAND by Eric McClelland which I discovered while perusing BELT MAGAZINE’s website. And lest you think I’m just now jumping on the whole “Rust Belt Chic” bandwagon, I’ll just say that I grew up during most of the stuff in Chapter 4 of BLUE SKIES (i.e. the Cleveland chapter). It’s been enlightening nonetheless to look at the historical context of my early life.  And, I just picked up BIOPUNK: SOLVING BIOTECH’S BIGGEST PROBLEMS IN KITCHENS AND GARAGES the other day at a bookstore discount table for $4, because there just has to be a story in here somewhere.

BACKYARD FRACKING: Something I forgot to mention when I wrote up having seen the short documentary BACKYARD at FLEFF. During the Q&A with the filmmaker, someone asked if she attempted to get any comments from the fracking industry. She says she did, and that it was rather easy to. She was granted tours through various rigs — sans her camera crew — and interviewed workers who apparently only had the same pro-fracking talking points. She reported being unable to find anyone with a unique pro-fracking story, which she attributes to the industry’s powerful propaganda machine. Power that was corroborated by an audience member with an account of the presence of energy companies in the independent film business and festival circuit. Know thy enemy and co-opt. Basic, really.

FILIPINO RONDALLA: Of course they’d have a Filipino Rondalla group at the Ivy League for which I work. To paraphrase the motto, “Any person, any extracurricular activity,” apparently. It brought back some childhood memories of my first visit to the Philippines when I was about four. I remember a candle dance and a tinikling demo, just like what I saw at the group’s concert last Saturday. That said, I have to acknowledge that this student display of Filipino culture–the culture of my parents–isn’t the culture of everyone in the Philippines. I fear for the non-Filipino audience members who may have left feeling armed with a proper overview of “Filipino culture”, and then trying to share this knowledge with, say, someone from the Visayas or Mindanao. They may not be received well.  After all, Filipinos have stabbed people for far less….

Next time, I’ll probably talk about the lung pox I’m fighting.

FLEFF, Fracking, and Experimental Short Films

It’s been a couple of years since I’d last made it to FLEFF, the annual Finger Lakes Environmental Film Festival.  It’s typically a week-long affair with screenings and panels, and typically I miss most of it because of my day job.  This year, I was determined to make it to something, anything, and I did last Sunday.  I didn’t catch much, but I got a lot out of what I saw.
BACKYARD (2014). A short documentary by filmmaker (and proprietor of Pale Blue Dot Media) Deia Sherman about fracking and its effects on the lives of different people from different states.  Living in upstate NY (in one of the areas that’s managed to keep the frackers at bay so far), the stories had familiar themes.  But it’d be a mistake to dismiss this film as some echo chamber piece, tailor made for an “environmental film festival” in Ithaca, NY.  Its stories are compelling and, to me, eerily reminiscent of the environmental, labor, and health and safety problems at the start of the auto and steel industries in the Rust Belt.  That’s a line of research I’ve been chasing for a bit, and the subject of a big post or two down the pike.  All I’m saying is that the Clean Air Act and OSHA were established for reasons.  Take it from a former denizen of the land of the Burning River.

UPSTATE FILMMAKERS’ SHOWCASE.  A series of experimental shorts by (mostly) cinema faculty from Binghamton University.  Each of the films played with the notions of time and linear narrative in some way.  They’re were all good (all the details at the event link), but my favorites: Close the Lid Gently, SoundPrint (which involved some audience participation using greeting card sound modules — that’s what I’ve got in the pic there), and 300 Features and 40 Shorts.

It’s been too long, FLEFF.  Catch you next year.

It’s a Good Good Friday!

Mabuhay ng Pilipinas, motherfuckers! It’s that of year again for my personal Good Friday observance.  First, the obligatory theme song. Listen as you read on. [ETA: forgot the bloody video.]

This year gives us not one, but TWO stories from my motherland.  First, a sad note…

Good Friday: Philippines Bans Tourists from Participating in ‘Realistic’ Crucifixion, Says it’s not ‘Circus’

Earlier, the only requirement to participate in the annual crucifixion rites in Philippines was that the person needed to be a Catholic. However, this year only local Filipinos can participate.
Harvey Quiwa, chairperson of the committee in charge of the 2015 Holy Week rites, announced the ban stating that this year all efforts will be made to ensure that the Lenten rites do “not become a circus.”
Well, that really fucks up my plans.

Then again, my plans haven’t been fucked up like our good friend Ruben’s…

CITY OF SAN FERNANDO, Philippines—Still without a successor, signboard maker Ruben Enaje has been obliged to extend his real-life crucifixion act for another year, making the Good Friday reenactment in Barangay San Pedro Cutud in this Pampanga capital on April 3 his 29th year so far

Enaje said he was hoping that the council finds an appropriate replacement for him soon because his aging body can not bear further pain.

Enaje really wants out, though…

“The spots on my hands and feet that are pierced yearly get healed in six months but the pain on my right shoulder where I carry a big wooden cross persists year round,” he said.

We all have our crosses to bear, but damn.

Post-Con Blues, Impostor Syndrome Self-Assessment, Reader’s Block

Here’s what’s on my mind lately…

POST-CON BLUES. I love going to cons, but they often put me off of my normal writing routines. And when I come back, they tend to keep me off my writing routines because of follow-up, exhaustion due to people overload, and obsessive but fruitless worrying about how to leverage my last appearance while trying to force my way BACK into a writing routine–which is arguably the best way to leverage my last appearance, at this stage of my career.  Well, one step at a time…

IMPOSTOR SYNDROME SELF-ASSESSMENT. From 0 (“I’m a loser, baby, so why don’t you kill me?”) to 5 (“I’m like Aquaman and Brown Hornet / I’m like Imhotep but don’t flaunt it.”), I feel about a 3, post-con.  I’ve had stuff out last year even though it was few and far between. I had some con panelist experience before Snokone Boskone (2 WFC panels, that’s not nothing), and now moderator experience. Next Boskone I get to participate in, I’ll probably feel right at home.

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READER’S BLOCK. Because OMG is my backlog out of control. I just cannot make up my mind, strategically, about what to read next. And no, “Read what you’re in the mood to read” is of no help, because strategery!

A Write-Up in Record Time: #Boskone 52

The anger of the Norse Frost Giants that turned Boskone into “Snokone” conspired to make me arrive late and leave early.  On the other hand, thanks to programming (who did an AWESOME job!), I did more in the short time I was there than at past cons.

Since my time was short and sweet, so shall my write-up be.  Here are the panels I was on or attended, and what I took away.

OFF THE AIR: I was off the air for this one, much to my regret. Heard it went well, though.  Curse you, Boston traffic!

FATHER, YOU MADE ME: Archetypal/non-archetypal parent-child dynamics. Fathers creating/spawning children from nothing (rather than a mother), eating them or risk being eaten. Mothers who are either evil queens and rivals, or absent. There are created fathers in the Hero’s Journey, where are the replacement mothers? In fact, why have a story structure where a parent abdicates and is replaced?  Market concerns?  And where did the Female Hero’s Journey go, anyway?  Parenting “then” is different from parenting “now”… isn’t it? What can speculative fiction do that literary fiction can’t vis-a-vis depictions of parenting relationships. A good amount, it turns out.  Also, first time I’ve ever moderated a panel but it felt like cheating to have an all-star crew; it practically moderated itself.

READING: Yes, my first official con-sanctioned reading.  Two short pieces and an excerpt and people showed up!

FINDING DIVERSE FICTION: Google is your friend.  But thank small-press/independent publishers going against Publishers’ (capital P) professional knowledge (i.e. self fulfilling prophesies) on “what sells “.  How do you get Pulitzer Prize-winning literary authors of color and well-known genre authors of color for your anthology created with an eye toward increasing diversity?  Apparently, just ask.  Writers, keep writing.  Readers, keep reading AND financially backing AND BUYING!

WHAT’S HOT IN COMICS?:  No, it’s not zombie comics anymore because some don’t feel the need to keep up with THE WALKING DEAD on TV and comics, or just said, Fuck it.  It’s a mix: Brian K. Vaughn’s SAGA, G. Willow Wilson’s CAPTAIN MARVEL, Matt Kindt’s MIND MGMT and others.  TV/movies (especially from Disney/Marvel) being the introduction of the casual fan to comics.  The smart things Disney/Marvel do vs. WB/DC.  [Not discussed, but popped into my head just now: TV/movies generating for comics what they know in pro wrestling as the “smart mark”?]

NON-WESTERN FOLKLORE: This was the only panel outside of my own that I got to attend: Fairy tales vs. folklore vs. fables. The hacking of folklore; reverse-engineering written lore (back) to oral traditions.  “Authenticity of”, “Ownership of” — both colonized concepts?  How great was the Great Wall before Westerners called it great?  Transformation.  Unequal power differentials vis-à-vis appropriation, IP, copyright issues (i.e. what can be copyrightable? Says who?).  Would’ve sucked for Ovid creating THE METAMORPHOSES.  [Possession really is 9/10ths of the law.]  Modern tabloids as repositories for modern folklore [i.e. a lore of the people, rather than folklore curators]?

THE JODOROWSKY EFFECT: Much like Jodorowsky’s attempt at making DUNE, a great panel that could’ve been, that couldn’t happen because of external realities.

My #Boskone Schedule

Yes, I’ll be at Boskone this weekend, weather permitting.  And not just barconning it, either.  I have actual panels AND a reading!!

Off the Air
Friday, February 13, 7:00 pm, Marina 2

Why does good television fail? Panelists talk about SF/F/H TV shows that died too soon, including Firefly, Alphas, The Tomorrow People, Millennium, Jericho, Almost Human, and more. Were they as good as we think? What are we missing?

Stephen P. Kelner (M), D. Lynn Smith, me, Ken Altabef, Susan Jane Bigelow

Father, You Made Me
Friday, February 13, 8:00 pm, Harbor III

From Dr. Frankenstein and his monster to Darth Vader and his son, speculative fiction uses fantastical ways to explore the special relationship between fathers and sons. What about the relationships between mothers and daughters? Panelists explore notable parental relationships within fiction and how those relationships shape characters and the choices they make.

Me (moderating–can you believe it?), ML Brennan, Theodora Goss, Max Gladstone, Alexander Jablokov

Reading
Friday, February 13, 9:00 pm, Independence
(My first official con-sanctioned, non-guerrilla reading!)

Finding Diverse Fiction
Saturday, February 14, 12:00 pm, Marina 2

There is a clear desire for increased diversity within SF/F fiction and fandom. There are also a lot of emerging writers who are bringing diversity to the genre, but many of them are still flying below the publicity radar. Authors and publishers come together to share their “must read” lists and tips on where to find some of the new up-and-coming authors.

Charles Stross (M), Susan Jane Bigelow, Bill Campbell, me, Lauren Roy

What’s Hot in Comics?
Saturday, February 14, 1:00 pm, Marina 2

Now that the zombie craze has peaked, and every major comics publisher has delved into horror-related titles, how has this impacted the mainstream’s monthly superhero titles? Does rampant fan interest in The Walking Dead eclipse the latest issue of Superman, Batman, X-Men, or Avengers? We’ll take a look at current comics trends, to see what types of comic books are winning the battle for readers.

Brenda Noiseux (M), Craig Shaw Gardner, Christopher Golden, me, Thomas Sweterlitsch


The Jodorowsky Effect
Saturday, February 14, 10:00 pm, Burroughs

Alejandro Jodorowsky, a Chilean filmmaker, author, and surrealist, influenced some of the greatest cult SF/F works of the last 60 years. He directed the first midnight cult film (El Topo), his comic series The Incal inspired The Fifth Element, and he spearheaded a failed effort to film Dune — “the greatest SF movie never made.” Jodorowsky’s production art for Dune inspired Star Wars, Alien, Heavy Metal, Raiders of the Lost Ark, and others. His other work is also critically acclaimed and hugely influential. Panelists discuss Jodorowsky’s legacy, his “Psychomagical Realism, ” and his influence on contemporary work.

Paul Di Filippo (M), Carrie Cuinn, Daniel M. Kimmel, me, Steven Sawicki

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Quickie Review: IN SEARCH OF AND OTHERS

In Search of and OthersIn Search of and Others by Will Ludwigsen
My rating: 3 of 5 stars

I share the author’s obsession with the old In Search of… series starring Leonard Nimoy, and Ludwigsen does a wonderful job writing pieces that resonate with that vibe. It also seems he and I share some other interests and experiences in common: with Appalachia, the mental health profession, and–if the multiple appearances of dead people in rivers are any indication–Raymond Carver’s story “So Much Water, So Close to Home.”

My issue was that, with exceptions, my general reading experience was that of being told. Yes, I realize that may even have been the point. Heck, in the story “We Were Wonder Scouts,” we’re told a story which has a scene in which a secondary character tells a story. But the approach is double-edged. There’s no question Ludwigsen has mad storytelling skills. But I didn’t always feel the sort of tension I like to feel in short-short stories.

The exceptions really touch me, though. “Mom in the Misted Lands” had such a poignancy in its telling and in its theme. “The Ghost Factory” hit a different spot, giving me a (pleasantly!) sickening “There, but for the grace…” feeling.

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