Category: Reading

Reading is Fundamental

I spent last week with the rest of Karen Joy Fowler’s new collection What I Didn’t See and Other Stories.
[Edited to add: My Working Writer’s Daily Planner says it’s KJF’s birthday today–Happy Birthday!!]

“Familiar Birds.”  It’s funny how I keep coming across these “Back when I was a kid” stories lately.  I liked this one even better than I liked Mark Rigney’s “Portfolio” from LCRW 22.  5 out of 5.

“Private Grave 9.”  A detailed account of a character’s slow almost(?)-descent into… something.  5 out of 5.

“The Marianas Islands.”  It had my favorite passage in the book so far, and one of the more interesting main characters.  The ending was a little too abrupt for me.  4 out of 5.

“Once when I was four or five I asked my grandmother to tell me a secret, some secret things only grown-ups knew.  She thought a moment, then leaned down close to me and whispered.  ‘There are no grown-ups,’ she said.”

“Halfway People.”  Probably has my second-favorite line in the collection, but I’m pretty sure it’s my favorite story overall.  5 out of 5.

“But a story never told is also a danger, particularly to the people in it.”

“Standing Room Only.”  One story with John Wilkes Booth, dancing around his most infamous performance in the Ford Theater?  Okay.  Two?  I don’t know. 3 out of 5.

“What I Didn’t See.”  Loved the ending, but it just took a little too long to get there for me.  3.5 out of 5.

“King Rat.”  This was in the Trampoline anthology, but I hadn’t gotten that far yet.  A nicely solemn riff on the Pied Piper story.  5 out of 5.

Reading is Fundamental

For starters, I finally got around to those last two stories in Lady Churchill’s Rosebud Wristlet 22:

“Portfolio” by Mark Rigney. In the continuum of “when I was a boy…” stories from Steven Millhauser and Peter S. Beagle’s “Uncle Chaim and Aunt Rifke and the Angel” this one was (thankfully) closer to Beagle. Rigney’s & Beagle’s stories both involved painting. Hmm. 5 out of 5.

“Dearest Cecily” by Kristine Dikeman. The narrative got me over my initial “Oh god, not another story told in letters!” reaction PDQ! 4 out of 5.

Next up was something that caught my eye in my RSS feed. “Taking Flight” by Ben Tanzer at Metazen. I’ve introduced you to Ben before. I dug Ben’s narrative of what future generations from the late 21st century onward will eventually call “the same old story.” 4 out of 5.

The rest are from Karen Joy Fowler’s collection What I Didn’t See and Other Stories.

“Booth’s Ghost.” John Wilkes is in it, but he’s not the main character. Brilliant. 5 out of 5.

“Last Worders.” Nice story with great setting description. The end was a little telegraphed for me, though–maybe not the detail, but the fact of it. 4 out of 5.

“The Dark.” Great story but with too many narrative threads that left me unsure which character or situation to really invest in. 4 out of 5.

“Always.” This one was more my speed–a character I could sympathize with in a situation, while weird, I could still understand. 5 out of 5.

Reading is Fundamental

I’ve had my head up my seekrit nonfiction work-in-progress this week, so most of my reading has been devoted to that.  But, I’ve resolved to make room for the fiction.  I tried to make time for the rest of Lady Churchill’s Rosebud Wristlet 22, but I ended up two stories shy. 

“Vinegar and Brown Paper” by Becca De La Rosa.  I thought this piece was going to be completely predictable, if quirky, until about halfway through.  I love it whenever a story takes me by surprise.  4 out of 5.

“Self Story” by Carol Emshwiller.  You know why they say writers should never write stories about being a writer?  It’s because you won’t write one as good as this. 5 out of 5.

“Snowdrops” by Alex Dally MacFarlane.  Very nice wintry fairy tale.  5 out of 5.

“The Honeymoon Suite” by Jodi Lynn Villers. Great flash fiction piece!  5 out of 5.

“To a Child Who Is Still a FAQ” by Miriam Allred.  A touch too experimental for me.  3 out of 5.

I’m sure I’ll finish the ‘zine this week.  After that, I dunno… maybe some of Ted Chiang’s Stories of Your Life and Others and a bit of Karen Joy Fowler’s What I Didn’t See.

Reading is Fundamental

Unless otherwise indicated, the fiction I read this week came from Lady Churchill’s Rosebud Wristlet 22.

“Love Might Be Too Strong a Word” by Charlie Anders.  This is the best alien interspecies love-story I’ve ever read. Ever. EVER. 5 out of 5.

“Going to France” by Maureen F. McHugh. Great story but I’ll be honest–I didn’t quite get the end. 4 out of 5.

“Getting Closer” by Steven Millhauser. (THE NEW YORKER, January 3, 2011). Sorry, but there’s no way I’ll ever buy that any nine year-old is as contemplative as the one in the story.  2.5 out of 5.

“American Dreamers” by Caleb Wilson.  Very intricate character studies.  Just not enough for me narratively.  3 out of 5.

“Mike’s Place” by David J. Schwartz.  Nice, tight story.  Has a similar atmosphere to one of my favorites, Keret’s “Kneller’s Happy Campers.”  4 out of 5.

“The Camera & the Octopus” by Jeremie McKnight.  A wonderful grown-up bedtime story.  4 out of 5.

“Escape” by Cara Spindler. I was turned off by the structure of the piece initially, but I was glad I stuck with it.  4 out of 5.

“Away” by William Alexander. Very nice story about an almost-stranger in an almost-strange land.  5 out of 5.

Reading Is Fundamental

One disadvantage of my newfound love of reading on my Nook is that I’m unable to accurately reflect my reading progress on goodreads, which does so by page numbers of print editions. No such tracking exists as of now for ebook editions, so I’m going old school and talk about the short stories I read this past week here on the blog.

The fiction I read this week came from one of the back issues of various ‘zines I purchased over the holiday, in this case, from Lady Churchill’s Rosebud Wristlet 19.

“Tubs” by Ray Vukcevich.  From Lady Churchill’s Rosebud Wristlet 19.  Vukcevich is a favorite of mine.  Any ‘zine with stories by him and Carol Emshwiller make it a must-have.  If you want a clinic on worldbuilding a quirky world, this story is it.  5 out of 5.

“Grebe’s Gift” by Daniel Rabuzzi.  It might be a little unfair to read and rate any story having read anything by Vuk, a writer I admire for his usual brevity.  Rabuzzi’s story is very rich and textured, if a touch slow for me.  4 out of 5.

“Dropkick” by Dennis Nau.  It took me awhile to warm up to this story.  For a moment I thought it, too, was running a bit long for my taste.  But the payoff was well worth it.  I really loved the characters in this one.  An enthusiastic 5 out of 5.

“You Were Neither Hot Nor Cold, But Lukewarm, and So I Spit You Out” by Cara Spindler & David Erik Nelson.  This one was a re-read from about three or so years ago when I’d read The Best of Lady Churchill’s Rosebud Wristlet.  I’d almost forgotten what it was about until a certain secondary character was introduced.  And then I remembered not feeling ready to be able to grok this story when I first read it.  But I was now, and I loved it.  5 out of 5.

“The Bride” by Kara Kellar Bell.  This story seemed well-written but a bit predictable.  Maybe because I’d read a story recently with a similar theme, but I’m not so sure about that.  3.5 out of 5.

“Lady Perdita Espadrille Tells the Story” by Andrew Fort.  I’ve never been a huge fan of the story-within-a-story, but I did enjoy both stories very much.  I like to think it brought me close to world from which I was far, far removed in the ’80s.  4 out of 5.

“The Slime: A Love Story” by Anna Tambour.  My previous exposure to Tambour’s writing was her story in the Interfictions anthology, “The Shoe is SHOES’ Window.”  And while I recognize a similar quirkiness in “The Slime,” I didn’t seem to enjoy it as much.  3 out of 5.

“Such a Woman, Or, Sixties Rant” by Carol Emshwiller.  But for the length, I thought this was more prose poem than fiction.  And I really like prose poems.  4 out of 5.

“For the love of a(n Elder) God, you say, Not a letter from an occupant”

It’s one thing to take my roller derby nom-de-guerre from H.P. Lovecraft without having read any Lovecraft.  But trying to write a story based on the mythos without doing so could end up making me look like an asshat. 

The story I’m writing concerns a tidbit I happened to read about The Deep Ones.  No, I’m not gonna tell you which tidbit–that’d spoil the story.

Anyway, I didn’t want Wikipedia to be my only source, so I did some digging into my own library and found the first story with the Deep Ones, “The Shadow Over Innsmouth” in my copy of The Tales of H.P. Lovecraft edited by Joyce Carol Oates that I bought awhile back but never opened.  Last night, I picked up The Thing on the Doorstep and Other Weird Stories for the title piece, another (as it’s commonly agreed) Deep One tale.

And, as I looked these books up on goodreads, I’m reminded that I have a copy of HPL’s Supernatural Horror in Literature.  Cool!

Anywho, I haven’t finished “Shadows” yet, but I have to say this research is fascinating.   Lovecraft has spent too long on my “bookshelf of shame” (i.e. writers whose work I have but haven’t read), and while his style doesn’t appeal to me, the mythos does.   And the more I learn about his work and that of his publisher August Derleth (good, bad, or indifferent), the more fascinated I become.

What’s even better is that this material has actually caused me to think about my seekrit nonfiction project that I’ve been working on in a new light.  It’s could take me in a direction which sends me back to the drawing board.  And that’s not necessarily a bad thing.

Chapter XXXVII

Today, Chapter XXXVII of my life begins.

“I’m 37. I’m not old.”
-Dennis, Monty Python and the Holy Grail

I’m starting this chapter off right with a two-and-a-half week vacation from my dayjob, a trip next week to Readercon, a camping trip with friends the following weekend, and after that, my next NSO gig at the next home derby bout.

Role ModelsFor the past couple years, I’ve tried to obtain writing-related birthday gifts. This year, though, I dusted off my Audible account, and treated myself to Role Models by John Waters.  I quoted it a lot recently, having read snippets from it and heard various podcast interviews and readings.

I’m listening to the first few chapters now, and thinking about my own role models.  I’ll blog about them some other time.  But this book is making me give some thought to who’s influenced, not just my art, but my life as an artist.  In Waters, I think I’ve found a new one.  Just look out the quotes I’ve used recently as well as the links below.  If you’ve been paying any attention to how I feel about writing and how I pursue it, I’m sure you’ll understand why. 

“Let her go, let her go, God bless her/ Wherever she may be”

One D.O.A., One on the Way One D.O.A., One on the Way by Mary Robison

My rating: 4 of 5 stars
Mary Robison’s prose is as dense, sparse, and evocative as ever. You might call the snippets of text disjointed, or gripe about a lack of obvious plotline, but there’s still a narrative to be followed.

The main character is certainly the sort who might reveal a lot of the facts of her life to you, but still keep you at arm’s length. Indeed, Robison’s prose seems to purposely keep me at a distance. I know a lot of people who would complain about that too, but it was a curious experience for me. It’s almost as if I had a front-row seat in the theater of the main character’s life, but with a splatter-shield in front of me.

And believe me, with everything she goes through, that’s a good thing.

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“These dreams go on when I close my eyes”

Madeleine Is Sleeping (Harvest Book) Madeleine Is Sleeping by Sarah Shun-lien Bynum

My rating: 5 of 5 stars
I first read Bynum in Tin House: Fantastic Women. I thought “The Young Wife’s Tale” was nice story with nice writing, but it didn’t prepare me for what I’d find in this novel.

Bynum’s writing style is simply hypnotic. It’s as dreamlike as just about every other reviewer says it is, but that shouldn’t put you off. Just don’t get too tied up in the dream logic of these interconnected vignettes. Don’t worry about the line between the real and the dream. Just go with it and be absorbed.

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