4TH STREET FANTASY. I know I promised a write-up, but there’s still too much stuff in my brain for me to dump here in a reasonably coherent manner. Seriously, I look at my notes and my brain goes into the exact same fog it was in at that point on Sunday where I had to stop taking notes. Suffice it to say it was just as good a time as last year’s, minus “That Thing” that happened last year. Bonus part was that the last conversation at the con was on whether I’d like to be on a panel next year (which, yeah).
LISTENING TO. Because no backlog is big enough to keep me from distracting myself with shiny things, namely 2 episodes of PRI’s STUDIO 360.
First, an interview with underground comics icon Aline Kominsky-Crumb. It doesn’t get too far in before her husband Robert Crumb gets mentioned, but so does Alison Bechdel, Marjane Satrapi, Phoebe Gloeckner, Spain Rodriguez, S. Clay Wilson, et al. I found Kominsky’s narrative about her attitude of general rebellion to oddly resonate with me. Note to self: pick up a copy of the expanded/reissued LOVE THAT BUNCH.
Second was a piece on the “FRONT International Cleveland Triennial for Contemporary Art”. Yes, I’m biased, and I know there’s so much Rust Belt ruin porn fascination combined with can-do-no-wrong boosterism. But there’s still something that tickles me about the idea of a “‘Second City’ emergence of really creative productivity” happening there.
I’m listing these here so I can find them later…
- From Cleveland’s PBS Ideastream, Cleveland Artists Don’t Want to Be Left Out of FRONT International Spotlight
- Massive FRONT Triennial Art Exhibition Takes On Cultural Issues
- This one’s from the NEW YORK TIMES: New Triennial Offers Artists the Canvas of Cleveland
SHOULD’VE BEEN LISTENING TO. You people are supposed to tell me when rock deities release live albums. And you failed. 😉
- AIRSHIPS by Barry Hannah. Because it’s odd to imagine stories of fucked-up places less fucked up than today’s world.
- BLOOD, BONES & BUTTER by Gabrielle Hamilton. I’ve been reading this for awhile now, but feel an urge to finish because after Bourdain, I feel like we need to appreciate chefs who can write.
- ANALOG (JUL/AUG 2018). Because I know someone in it.
- F&SF (JUL/AUG 2018). Also, because I know someone in it.
- BENEATH CEASELESS SKIES #256. Again, because I know someone in it.