Don’s Christmas Storytime: “Scenes from Jodorowsky’s RUDOLPH”

Merry Christmas, everyone!

Decided that this is going to be my last post of 2014.  I think I’m past that year-in-review stuff.  Instead, during this Christmas season with all of its stories of one kind or another, I thought I would share one of my own.

So, here’s my present to all of you.  Gather ’round, kids!  Bring your hot cocoa.  Uncle Don wants to share something with you…

“Scenes from Alejandro Jodorowsky’s Failed Adaptation of Rudolph the Red-Nosed Reindeer

EXT. NORTH POLE – DAY

SAM THE SNOWMAN stands naked, except for a loincloth and the holy symbols set into his snow body at each of his chakras, next to a “North Pole” sign.

SAM: You know Dasher and Dancer and Prancer and Vixen.  Comet and Cupid and Donner and Blitzen…

CUT TO: Each reindeer after its introduction.

DASHER: I am Dasher.  My planet is Mercury.

DANCER: I am Dancer.  My planet is Saturn.

PRANCER: My name is Prancer.  My planet is Jupiter.

VIXEN: My name is Vixen.  My planet is Uranus.

COMET: I am Comet.  My planet is Earth

CUPID: I am Cupid.  My planet is Venus.

DONNER: I am Donner.  My planet is Neptune.

BLITZEN: My name is Blitzen.  My planet is Mars.

RUDOLPH: I’m Rudolph!  What planet am I?

CUT TO: All of the other reindeer, laughing like a CACKLE OF HYENAS, until they suddenly stop.

DONNER: You are excrement.

INT. TOY FACTORY – DAY

Male and female dwarves hustle and bustle around an industrial assembly line. Two of the little people, HERMEY and the FOREMAN, square off.

HERMEY: But I don’t WANT to complete Santa’s collection of one-thousand testicles!

FOREMAN: WHAT?!

The Foreman draws a toy pistol, as does Hermey.  The dwarves stop what they’re doing and give the combatants a wide berth.  They circle each other until Hermey fires first and hits the Foreman in the crotch.  The Foreman goes down.  Hermey goes mad, rolling around on the shop floor screaming, before scrambling out the door.

CLOSE ON Foreman’s crotch.  Yellow butterflies rise up from the bloody hole.  The dwarves applaud.

EXT. OUT IN THE TUNDRA – DAY

Hermey, now shaved bald and dressed in sackcloth, is riding on Rudolph’s back. Rudolph walks them past the skinned, crucified carcass of The Abominable Snowman of the North.  At the foot of the cross sits YUKON CORNELIUS, a slender young woman dressed in furs and a belt of mining gear, smoking a cigarette.

RUDOLPH: Is this the way to Lotus Island?

YUKON CORNELIUS (in a man’s voice): If you think it is, then it is.

INT. THRONEROOM – DAY

Rudolph and Hermey are kneeling at the foot of the throne of the lion KING MOONRACER. He comes down and places his paws on their bowed heads as SITAR MUSIC plays.

KING MOONRACER:  Every night, I roam the earth and when I find a misfit no one wants, I bring it to live here, until someone wants it.  You cannot hide yourselves here.  You must find your own place.  The Tarot can help you.  But first, you must be purified…

CUT TO:

EXT. ISLAND OF MISFITS – NIGHT

Standing in a hot spring pool, Rudolph and Hermey are being lathered in soap by two amputees, each missing legs, strapped to the backs of two other amputees who have their legs, but are missing arms. 

CLOSE ON Rudolph’s haunches being gently scrubbed.

EXT. NORTH POLE – DAY

A winter storm rages across the North Pole, with a wind that sounds like CHIRPING BIRDS.

CUT TO:

INT. SANTA’S HOUSE – DAY

Rudolph is joyfully reunited with Santa and the other reindeer.

SANTA: Rudolph with your noise so bright, you must carry your light out into the world! (Turning to the other reindeer.) You no longer need a Santa.

Santa pours lamp oil on his suit and lights himself on fire.  Rudolph bites into Santa’s charred corpse, tears away a piece, and raises his head in triumph!

CUT TO: Rudolph’s face, which is covered in honey instead of Santa’s flesh.

RUDOLPH: Real life awaits us!

FADE OUT.

Quickie Review: SYLLABUS: NOTES FROM AN ACCIDENTAL PROFESSOR

Syllabus: Notes from an Accidental ProfessorSyllabus: Notes from an Accidental Professor by Lynda Barry
My rating: 5 of 5 stars

I first sought out Barry’s comics years ago because Filipina! Okay, part-Filipina but enough to hook me with a panel of an elderly woman, sitting on a couch with one elbow resting on her raised knee, declaring “Ay, nako!” But Syllabus was my first encounter with one of Barry’s artistic how-to books. It’s a compilation of syllabi, courses, and exercises she’s used in the various classes she teaches at the University of Wisconsin-Madison.

Other artistic how-to books emphasize the importance of play, but this is the first one I’ve read that has shown me exactly how to leverage that idea. Barry’s thesis is that when we were drawing or writing as children, the last thing on our minds was whether or not we were creating works of art; at least in my case, she’s right. And thus, I get something extremely valuable from this book: a method for RE-training myself to suspend any judgement at all about writing as I’m writing. (That stuff is for editing and polishing later.)

Syllabus gets 5 stars because after a mere two weeks, the exercises within–more or less in practice; definitely in principle–have already yielded dividends as far as filling some of the gaps in my writing practice that I’ve been struggling with since the day I started. I can feel the techniques reshaping my artistic process the way I used to feel muscles being shaped while working out (another experience I haven’t had in awhile), and it feels great!

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